Scandinavian Design And The United States 1890 – 1980 Impact

I recently attended an exhibition at the Milwaukee Art Museum entitled Scandinavian Design and The United States 1890 – 1980. This exhibition was co-organized by the Milwaukee Art Museum, The Los Angeles County Museum of Art, Nationalmuseum Sweden, and Nasjonalmuseet Norway.

The exhibition gave an excellent overview of how Scandinavian designers and design impacted American design and life from 1890 to 1980; this impact continues in the design world even today. Read on as we show you some of what we felt were some of the most exciting designs on display.

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Scandinavian Design And The United States 1890 – 1980: A Hidden Legacy Revealed At The Milwaukee Art Museum

In design, the impact of Scandinavian influence on the United States is often overlooked. However, the recent exhibition “Scandinavian Design and The United States 1890 – 1980” showcased the enduring relationship between the Nordic countries (Denmark, Finland, Sweden, Norway, and Iceland) and the United States.

Milwaukee Art Museum

The exhibition, which traveled to Los Angeles, Milwaukee, and parts of Scandinavia, unveiled the profound influence of Scandinavian design on American aesthetics for nearly a century. From the influx of Scandinavian immigrants to the United States to the ongoing interest in Scandinavian design, this exhibition shed light on a hidden narrative in the history of American design, emphasizing the significant contributions of European immigrants.

The Legacy Of Scandinavian Design

The exhibition began by exploring the migration of Scandinavian immigrants to the United States. These immigrants brought their rich cultural heritage, including a deep appreciation for design and craftsmanship.

Many immigrants became influential figures in American interior and product design. By highlighting the stories of these individuals, the exhibition underscored the role of immigration in shaping the design landscape of the United States.

Rag Rugs: Ida Laituri Nevala’s Enduring Craftsmanship

The rag rug tradition is a notable example of the Scandinavian design showcased in the exhibition. Ida Laituri Nevala, a Finnish-American designer, exemplified the frugality and resourcefulness of pioneer life in America through her woven creations.

Rag Rugs By Ida Laituri Nevala

These rugs, made from recycled cloth and remnants, symbolize Finnish-American heritage, particularly in Michigan’s Upper Peninsula.

Edward F. Worst And The Art Of Weaving

Edward F. Worst, an American weaver who studied in Sweden, played a pivotal role in popularizing weaving in the United States. His expertise in this traditional Scandinavian craft led him to teach weaving techniques at Chicago public schools and workshops at the renowned Penland School of Crafts in North Carolina.

Table Runner By Edward F. Worst

The exhibition showcased Worst’s table runner, made from cotton, which exemplified his dedication to preserving and promoting this ancient craft.

Jens Risom’s Innovative Chair Design

Jens Risom, a Danish-born designer, left an indelible mark on American furniture design. The exhibition featured Risom’s iconic Model 650 chair, made from maple and jute, which Knoll Associated Inc produced.

Jens Risom’s Innovative Chair Design

This innovative design cemented Knoll’s reputation as an early purveyor of modern design in America and highlighted the enduring appeal of Scandinavian-inspired furniture.

Greta Magnusson Grossman’s Fusion Of Scandinavian And California Design

Greta Magnusson Grossman, a Swedish designer who relocated to Los Angeles, blended the influences of Scandinavian and California design in her desk creation. The exhibition highlighted her desk, made from walnut, iron, and Formica, which exemplified her mastery of light and dark contrasts.

Desk Made From Walnut By Greta Magnusson

Grossman’s work showcased the interplay between her Scandinavian roots and the vibrant design scene of California.

Greta Von Nessen’s Versatile SPH Lamp

Greta Von Nessen, a Swedish industrial designer, left an indelible mark on American lighting design. Designed in 1951, her SPH Lamp allowed for versatile installation options, including standing, pinning to the wall, and hanging.

SPH Lamp By Greta Von Nessen

Von Nessen’s lamp, produced by Nessen Studio Inc. in New York, exemplified her technical expertise and innovative approach to lighting design.

Peer Smed And Peter Berg’s Silver Craftsmanship

Peer Smed, a Danish-born designer, and Peter Berg, a Norwegian-born artist, demonstrated their exceptional craftsmanship through their silver creations. The exhibition showcased Smed’s Silver Cocktail Shakers, featuring a striking owl design, which captured visitors’ attention with its unique aesthetic.

Silver Cocktail Shakers By Peer Smed

Additionally, Berg’s Silver Candelabras, designed for the Kalo Shop in Chicago, showcased the meticulous handcraftsmanship characteristic of Scandinavian artists.

Berg’s Silver Candelabras

Jens H. Quistgaard And Dansk Designs

Jens H. Quistgaard, a Danish designer, significantly impacted American design through his collaboration with Dansk Designs in New York. The exhibition highlighted Quistgaard’s teak and metal ice buckets, casserole dishes made from enamel and steel, and pitchers.

Teak And Metal Ice Buckets, Casserole Dishes By Jens H. Quistgaard

These pieces, characterized by vibrant colors and modern designs, exemplified the distinctive Scandinavian aesthetic that became synonymous with Dansk Designs.

Finn Juhl And The Modern Armchair

A Danish designer, Finn Juhl, played a pivotal role in introducing modern furniture to the American market. The exhibition featured Juhl’s Armchair Model 400-1/2, crafted from walnut and leather.

Armchair Model 400-1/2 By Finn Juhl

After catching the attention of Baker Furniture’s president, Juhl was invited to create a line of modern furniture tailored to American tastes. His iconic armchair, manufactured by Baker Furniture in Grand Rapids, Michigan, exemplified his ability to blend functionality, comfort, and sleek design.

Arne Jacobsen’s Timeless Shell Chair

No exploration of Scandinavian design would be complete without mentioning Arne Jacobsen’s Iconic Shell Chair. Designed in 1972, this Danish masterpiece continues to captivate audiences worldwide with its sculptural form and unparalleled comfort.

Jacobsen’s Iconic Shell Chair

The exhibition highlighted the enduring relevance of the Shell Chair; I recently saw a version of the shell chair in the United Airlines lounge in Tokyo, Japan. Jacobsen’s design exemplifies Scandinavian design’s timelessness and lasting impact on the global stage.

The “Scandinavian Design and The United States 1890 – 1980” exhibition at the Milwaukee Art Museum unveiled the profound influence of Scandinavian design on the United States over a century. Through the lens of immigration, the exhibition demonstrated how Scandinavian immigrants played a pivotal role in shaping American design, particularly in interior and product design.

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The showcased examples, from traditional crafts like rag rugs and weaving to iconic furniture designs and lighting fixtures, highlighted Scandinavian design principles’ enduring relevance and timelessness. The exhibition served as a testament to the cultural exchange and fusion of aesthetics between the Nordic countries and the United States, reminding us of the profound impact that immigrants have had on shaping the American design landscape.

As we continue to appreciate and draw inspiration from Scandinavian design, we must recognize and celebrate the hidden stories and legacies behind these remarkable creations.

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